Out of geological interests came the idea of 'earthen cutaways'. One could pretend visual descent through horizontal earthen strata. Anchored to horizontals, inverted triangular areas of imagined tree roots and percolating water were played against less dense triangular painted areas. A 'chamber orchestration' series followed, turning the triangular cutaway images into wedges. This second set of paintings was composed to relate to each other on gallery walls, as if movements in a large musical composition.

Blue Two-Cloud - details	Byzantium - details
Cloud Frieze with Blue Sea - details	Floating Free - details
Fortissimo with Silver - details	Fortissimo with Silver - details
Motif with Blue-green - details	Silver One-cloud - details
Structural Interchange - details	Structural Interchange - details
Structural Interchange - details	Structural Interchange - details